Web Page Color Scheming using your photos
by Suzanne Stephens
Do you break out in a cold sweat when it's time to choose colors for your Web pages? If so, you're like many Web page designers who are intimidated by designing with color.
Since color selection is a common stumbling block, I'm going to show you some techniques for creating color schemes from the photos used on your Web pages.
To demonstrate my approach, my clients at Endless River Adventures (ERA) have permitted me to use their photos. I'm in the middle of my third redesign of ERA's site. I love working with the photos they provide on CD-ROM.
Use color to glue your page designs together.
Unlike design for print, color on Web pages is free. With great tools like Photoshop, color is easy to use, too.
Colors sampled from photos can be used to create powerfully cohesive, integrated page designs. A strong color scheme can unify the elements on a page, draw the eye to a focal point, and create a graphic identity that flows consistently from page to page within your site.
When your situation allows, consider "breaking the rules" by creating pages with color schemes that are inconsistent with the rest of the site. Used appropriately, this approach will add visual excitement.
I try to supplement ERA's content updates with fresh graphics on an on-going basis, hoping to beckon kayakers back for return visits. My decidedly un-corporate creative approach includes doing site redesign on an on-going basis instead of introducing the new design all at once. I allow lots of design and color variety, using the logo and navbar to maintain a consistent graphic identity instead of relying on sameness from page to page.
Search data for ERA's site shows that lots of people visit looking for photos to steal. I like to integrate photos with other graphic elements in layered Photoshop files to discourage image theft.
Would you like to begin taking better advantage of color and photography as design elements? This explanation of how I work with photos to create a color scheme may help you.
How to get started
Your first step should be consideration of your client's objectives to determine what kinds of photos will work best. A successful design must support your client's marketing goals.
While creating a special page about ERA's Costa Rica kayaking trips to illustrate this article, I kept in mind that my clients, Ken and Juliet Kastorff, always want whitewater shots included because they appeal to paddlers who go on trips to Central America to extend the paddling season from summer into the winter.
I can also use 'postcard' shots to interest people in combining kayaking (or mountain biking) with foreign tourism. And, since women can excel as easily in kayaking as men, Juliet and I like to use photos of female paddlers whenever possible.
The next step is choosing photos. If you have lots of pictures from which to choose, the possibilities may feel overwhelming. Don't worry - you can refine your selection later while you work on your page layout and find that some work better than others.
I began work on my new Costa Rica page by looking through several CD-ROMs for suitable photos. I copied more photos than I would actually use, then saved them to my computer.
Next, I studied the composition, quality, and colors in the photos, trying to predict which would work best. Special attention went to noting areas of bright or neutral colors common to several photographs.
Though I don't actually mark up my photos, I've marked a few here to help you visualize my process. Yellow circles highlight spots of bright color that may serve nicely as accents in my color scheme.
By the time I completed this step, I already anticipated using a color scheme composed of cool turquoise blue and green since these colors are shared by some of my favorite photos. Others had areas of gold, yellow or red which would spice up the cool turquoise palette.
Finally, I discarded some photos and sorted my 'keepers' into folders organized by topic and/or accent colors, such as 'Costa Rica kayaks yellow' or 'CR birds animals red.'
Since I have already established a 'look' for ERA's pages, I don't bother with sketching layout ideas on paper. Instead, I design directly in Photoshop.
Let's take it one step at the time
Before plunging directly into design work, let's talk about how to design a color palette derived from only one or two photos. Practice with these less overwhelming tasks will prepare you for more complex design projects.
For the illustration shown at the left, I chose one photo, then added a layer for use as a 'scratch pad' for playing with colors.
Using the eyedropper tool to sample colors from the photo, I painted little swatches of color on my scratch layer. Suspecting I might need more contrasty versions of these colors, I darkened, lightened and/or added saturation to selected areas of the swathes.
Below the photo, I added blocks of blue and off-white chosen from the swatches on my scratch pad to test their effectiveness as background colors for my HTML page or for tables.
Next, I set text samples with Photoshop's text tool, with anti-aliasing turned off, testing to find successful combinations of colors. I used my color swatches as sources for the text colors, adding white for additional contrast as needed.
If I were going to complete this design, my last step would be to open the file in ImageReady (or Fireworks), slice and optimize. I would also make note of the hex values of the text, background and link colors that I would need to specify colors in my HTML code.
What if you're using two or more photos?
When you use more than one photo, try making color swatches as before, except this time when a color is unique to only one image, place it on the outer edge of the scratch pad.
When similar colors appear in both images, place swatches in side-by-side columns. You may also want to create lighter, darker and more saturated color variations.
When colors in the two middle columns are very similar, it's safe to base your color palette on these colors. Both color schemes shown below the photos at left work well because their light green backgrounds - chosen from the water in the background of each photo - serve to unify the otherwise unrelated photos. Those colors that appear in only one photo should be used more sparingly, such as for 'hover' or 'alink' colors.
TIP: If you can't find enough similar colors among your photos, place a semi-transparent layer containing a copy of one column of swatches on top of the other column. This will result in a third set of colors that coordinate nicely with both photos.
Now, on to designing a real page
When you advance to creating a color scheme for a page with lots of photographs, you'll find it surprisingly easy.
Since for demonstration purposes I've used more photos on my Costa Rica page than usual, arranging them was actually harder than choosing the color scheme. The finished page can be viewed on the Endless Rivers Web site. For this project, after filling the base layer of my Photoshop file with the blue background color, I added a new layer for each image, beginning with the kayaker photo in the background.
Layer masks were used to silhouette and crop photos, and to create translucency as needed to reveal a tint of blue from the background. A layer of scan lines added more blue, continuing a theme used throughout ERA's site and making the images less appealing to thieves. Scan lines were masked as needed to reveal more of each photo. Areas of some photos were colorized to force them to harmonize with my color scheme.
While I created a few color swatches on a scratch layer, I often shortcut the process by visually scanning for common colors, then sampling them directly from photos. Then, to give the type graphics more contrast, I substituted brighter, more saturated versions of those colors from Photoshop's color palette.
That's all there is to it. Now I'm ready to slice 'n' dice!
But first, I'll mention another benefit of using these techniques experimentation is easy and often results in creative new color combinations. It only took me a few minutes to create the new color schemes shown at left. (Click a thumbnail to examine a larger version.) I'm just like a kid with a new jumbo box of Crayolas when I play with color schemes. I hope you'll enjoy these techniques as much as I do!
Suzanne Stephens and her husband Dave met on AOL in 1994. Their company, Stephens Design, specializes in design for Web and print and is located in the Portland, Oregon metro area of the US. Suzanne originally compiled the Resources section of Web Page Design for Designers.